Bands such as Guns n’ Roses, Whitesnake, Journey, and Queen come to mind. When most people think of rock music, they often refer to the bands that have propelled the genre. UNCUT also offers set playlists that introduce rock music tones. With the main mission of informing and educating its readers on the Rock n’ Roll genre, the publication also scouts out new rock bands who carry on the tune.
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The UNCUT magazine comes packed with an assortment of album recommendations, movie reviews, and more. Disenfranchised, the team of creatives helmed by Allan Jones sought to remind the younger audiences of some of musical history’s most revolutionary and influential genres. The magazine was born under Rock n’ Roll enthusiasts who recognized that riffs and guitar solos were slowly replaced with pop beats and electric music. Unlike its predecessors, the creative team behind UNCUT aimed to introduce Rock n’ Roll to a younger audience. Hitting the shelves for the first time in May of 1997, the monthly magazine covered the influences of Rock n’ Roll culture by positing reviews on rock albums and movies. If the names David Bowie, Jimi Hendrix, Nick Cave, and Rod Stewart strike a note with you, find yourself pleasantly surprised with the plethora of content offered in UNCUT magazine. But you know what? So what!? “Rock of Ages” celebrates youthful passion, cultural rebellion and changing times with an energy, enthusiasm and head-banging fun that’s downright contagious.UNCUT magazine is the essential publication that covers the culture of Rock n’ Roll, its legends, and reviews on rock albums across the ages. scene, or that so-and-so’s big hit was left out. Purists may quibble that not all the songs featured were from 1987, or were from bands that never actually made the L.A.
Watch closely for cameos by real-life ’80 singer Debbie Gibson, Sebastian Bach of Skid Row and Kevin Cronin of REO Speedwagon.
Blige makes a late entrance but leaves a lasting vocal impression as the tough-cookie proprietress of a gentleman’s club who becomes a mentor to Sherrie. Newcomer Diego Bonita plays a busboy with big dreams, and Paul Giamatti is a hardball manager who cares more about the money than the music. Catherine Zeta-Jones sassily throws down the gauntlet as a zealous anti-rock crusader. Hough, a veteran of TV’s “Dancing With the Stars” and the star of last year’s “Footloose,” sings her heart out. British comedian Russell Brand plays his right-hand man, and together they provide much of the movie’s comedic punch-and one of its biggest surprises. Alec Baldwin is a big-haired hoot as the proprietor of the rock nightclub where all the action goes down. Mission Impossiblewill get most of the buzz, but there are plenty of other props to spread around.
And when he spews out “Pour Some Sugar On Me,” it’s one riotously ripe slice of prime-cut, primo rock opera. Chiseled into a shape that would shame many actors half his age, Cruise throws himself into the role, bejeweled devil-faced codpiece, revealing leather chaps, pistol-totin’-baboon-sidekick and all. His gonzo portrayal of rock god Stacee Jaxx, the tattooed, serpentine, sex-oozing superstar around which the story revolves, is jaw dropping. On the tip-top of the star stack is one of the biggest movie stars in the world, Tom Cruise.
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Director Adam Shankman steers the ship with the same sense of singing, dancing playfulness and melodrama he also brought to the TV series “Glee” and the 2007 movie version of “Hairspray.” It’s a big, showy and over the top with highs, lows, laughs and some truly fist-pumping performances from a diverse cast of familiar actors, most of them in roles requiring some serious belting and hoofing-this is, after all, a musical originally made for the wide-open spaces of the stage.
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